Louis Armstronghand-colored etching by Adi Holzer Armstrong often stated that he was born on July 4, Jordan worked with Webb untiland it proved a vital stepping-stone in his career—Webb who was physically disabled was a fine musician but not a great showman.
Bookings for big bands tapered off during the s due to changes in public tastes: He got a very raw deal from history Their marriage was acrimonious and short-lived.
In his year there Armstrong matured into a major soloist and at the same time developed—indeed, single-handedly invented—a compelling, propulsive, rhythmic inflection in his… Although Armstrong claimed to be born invarious documents, notably a baptismal record, indicate that was his birth year.
He did return to New Orleans periodically. King Oliver made a few records but otherwise struggled. During the s Armstrong had achieved international fame, first touring Europe as a soloist and singer in By that time Armstrong was playing trumpetand his technique was superior to that of all competitors.
In the s, he toured Ghana and Nigeria. Byhe was approaching 70 and his health began to give out.
She encouraged him to play classical music in church concerts to broaden his skills. Through his records Jordan was probably one of the main popularizers of the slang term chick "woman".
He suffered heart and kidney ailments that forced him to stop touring. Loaded with wry social commentary and coded references, they are also a treasury of s and s black hipster slang. He switched to the trumpet to blend in better with the other musicians in his section. His first wife was named Julia or Julie.
From this period Armstrong performed mainly popular Louis Armstrong. Jordan wrote or co-wrote a large proportion of the songs he performed, but did not benefit financially from many of them.
And yet really history has consigned him to just being a comedy vocal thing with a bit of rock and roll, and the first alto While in Los Angeles, Jordan began making " soundies ", the earliest precursors of the modern music video, and also appeared on many Jubilee radio shows and a series of programs made for the Armed Forces Radio for distribution to American troops overseas.
His resonant, velvety lower-register tone and bubbling cadences on sides such as "Lazy River" exerted a huge influence on younger white singers such as Bing Crosby. It too was covered by Lunceford, inwhose version reached number 12 on the pop chart; it was also covered by Big Bill Broonzy and Jimmy Rushing.
Breach of contract violations plagued him. Over a twelve month period starting in Novemberthis quintet produced twenty-four records.
Armstrong was now free to develop his personal style as he wished, which included a heavy dose of effervescent jive, such as "Whip That Thing, Miss Lil" and "Mr. The Cotton Club closed in after a long downward spiral, and many musicians stopped playing altogether as club dates evaporated.
He was also befriended by Joe "King" Oliver, leader of the first great African American band to make records, who gave him trumpet lessons. Later years Armstrong continued to front big bands, often of lesser quality, untilwhen the big-band era ended.
The artistic innovations and economic advantages reinforced each other and helped pave the way for black pop music to shift from big-band swing to rock and roll. Altogether, his immensely compelling swing ; his brilliant technique; his sophisticated, daring sense of harmony; his ever-mobile, expressive attack, timbre, and inflections; his gift for creating vital melodies; his dramatic, often complex sense of solo design; and his outsized musical energy and genius made these recordings major innovations in jazz.
Jones, Max, and John Chilton.
He embarked on another world tour, but a heart attack forced him to take a break for two months. His vocals, featured on most records afterare an extension of his trumpet playing in their rhythmic liveliness and are delivered in a unique throaty style.
There he created his most important early works, the Armstrong Hot Five and Hot Seven recordings of —28, on which he emerged as the first great jazz soloist. Young musicians tried to outplay him but split their lips in their attempts.L ouis Armstrong was a famous jazz trumpet player and singer.
He is regarded as one of the most important and influential musicians in the history of jazz music. mi-centre.com: The premier site for the history and analysis of the standards jazz musicians play the most.
Louis Thomas Jordan (July 8, – February 4, ) was a pioneering American musician, songwriter and bandleader who was popular from the late s to the early s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing mi-centre.com was one of the most successful African-American musicians of the 20th century.
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In Pops: A Life of Louis Armstrong, I tell the story of a beloved giant of jazz whose greathearted, larger-than-life personality shone through every record he mi-centre.com are ten of my.
Louis Armstrong, Master of Modernism [Thomas Brothers] on mi-centre.com *FREE* shipping on qualifying offers. The definitive account of Louis Armstrong―his life and legacy―during the most creative period of his career. Nearly years after bursting onto Chicago’s music scene under the tutelage of Joe King Oliver.Download